I love a good piece of weird cinema. Of course, there's nothing wrong with a polished bit of studio horror if the heart's in the right place, but there's something special about seeing a singular vision translated on screen in all of its oddity. Which brings us to Luz, the debut feature film from German writer-director Tilman Singer, an experimental possession horror shot on 16mm as a callback to the imagery and atmosphere that dominated the European horror scene in the 70s. The intriguing little horror movie has generated a healthy bit of buzz while making …
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