Horror anthologies are almost always something of a mixed bag. It’s a genre tradition, and a proud one, which allows filmmakers to fly a little more free without the burden of big-budget pressures and the challenge to carry an entire film. It lets them get weird with it, try something a different, or finally get around to that one not-quite-feature-length story that’s been nagging at their brain all these years. But because a single filmmaker isn’t carrying the film, it’s even harder to get the tone and structure just right — something very …
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